How the Emmy-nominated drama collection and docu collection shed light on what historical past books failed to note

The troubled moments of HBO’s postmodern superhero miniseries Watchmen had nothing to be terrifying: a panicked black couple and their youngest son roam the fiery streets of Tulsa, Oklahoma, in 1921, witnessing – and narrowly avoiding – mass killings as white supremacists smash a neighborhood thriving regularly known as the “Black Route on the Side of the Wall. Since its premiere in October 2019, much has been written about how this five-minute series has done more to present widely to the public this suppressed second in history. than any college program (now few, if any, textbooks actually report Tulsa’s running bloodbath in real life).

Sepia-toned photographs and a synthesized ranking cinematize the cruelty to magnify the emotional effect of that violence within the Emmy-nominated film. Tulsa Burning: The bloodbath of the 1921 race. But, watching the Historical Past Channel’s two-part documentary (now available on Hulu), my focus also pounded by looking at archival footage from the ’90s of elderly survivors of a bloodbath recounting their flash memories of it. long-lasting trauma. “When I was 9, it used to be really boring because I was sleeping,” one older girl recounts on a grainy videotape. “My mother woke me up and advised me to get up. She said: ‘Eldoris, Eldoris! Get up so I can dress you. Other white people kill other colored people. Eldoris McCondichie’s now decades-old commentary, delivered with the poetic readability and cadence functionality of the latest technology, underscores the price to pay for taking note and truly soaking up precise, lived studies.

An explosive motion scene can do wonders to invigorate the previous one, as can the testimonies and oral histories of those who have actually moved throughout the horror. These twin non-fiction (Burning tulsa) and romanticized (Watchmen) Television shows paintings in conjunction now not better to resuscitate an old outdated episode but to distribute the advice to hundreds of thousands of other people. The legacy of what happened in Tulsa has already been silenced for almost a century due to hegemonic politics. Television – historically and disdainfully known as “the field of fools” and “the nipple tube” – has served to teach many audiences on occasions that have been close to historical books.

Tulsa Race Bloodbath match previously seen in HBO pilot episode Watchmen in 2019.
Mark Hill / HBO

At a time when many of our country’s leaders are trying to limit the social research programs taught in American colleges, which muzzle the narratives of oppressed and excluded peoples within black, local, Latin, Asian and LGBTQ + communities, feels much more essential that television and popular culture continue to include this type of peeled storytelling. As such, some of the highest TV techniques of 2020 and 2021 presented visionary tales of forgotten (or misinterpreted) affairs from the past.

Past honor Burning tulsa, which was previously nominated for his writing, song, and sound modification, the Emmys also identified various illuminating length techniques comparable to Lovecraft Country, The Underground Railroad, Bridgerton, The crown and Pose. Unlike the whole of the 60s The Queen’s Gambit, on the other hand, these collections do not simply capture a particular second culture or a lush period aesthetic. Instead, these presentations include a lesson: They hope to remove dusty layers of presumption and incorrect information to deliver other aspects of the story than the concept of the audience they knew or never had the risk of seizing in first position.

THEOvercraft Nation and Underground Railroad, for example, use wacky tropes to unearth under-explored chronicles of racial abuse in the supernatural drama on American television channel HBO Lovecraft Country To begin with, follows a group of black motorists who lobbied the United States in the 1950s. Confronted with lynching, Jim Crow settlements, sunset towns, and de facto segregation in the north, the collection literalizes these horrors by tightly incorporating the gore and the occult into the tale. Each Lovecraft Country and that of Amazon Underground Railroad providing a sickening fun zone replicating the mirror image of our nation’s backyard with eugenics, racist pseudoscience and systematic clinical abuse of other black people. In its highest episode, Amazon’s Magic Realist Restricted Collection hints at real-life racialized forced sterilization sagas when it brings previously enslaved fugitives Cora and Caesar (Thuso Mbedu and Aaron Pierre) into a seemingly secure village that is still missing from Black. small children and adolescents.

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HBO Lovecraft Country
Eli Joshua Ade / HBO

Bridgerton and The crown, each of Netflix, to begin with seem to be story sheets. The precedent is more often than not vigorous and gusty, presenting a cheerful, almost pre-industrial England with anomalous colors, where everyone dabbles in a somewhat romantic frippery. The latter is endlessly bitter and austere, describing the mid-twentieth century existence in Britain as an endless collection of serious national crises. However, each relates to slightly secret or outdated chapters within the British monarchy.

By explicitly choosing Golda Rosheuvel, a black actress, as the wife of George III, Queen Charlotte and writing her as a black royal who ushered in a whole new wave of racial fairness on this model of change of the England of the Regency era, the collection alludes to the reality of historians. -life assumption that Charlotte of Mecklenburg-Strelitz had African ancestors through her Portuguese lineage. (A chance that still proves to be relevant as Meghan Markle publicly navigates her position in the British royal circle of parents.) The crown, though more reserved in his social justice goals, reframe the sexism and ableism exercised against Princess Diana (who has struggled with psychological health issues and consumer dysfunction) throughout one of the most important moments of her marriage. Huge showrunner Peter Morgan makes you wonder if the very way of life of the monarchy is an inherent violation of human rights towards those who will have to undergo its tasks.

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by netflix The crown.
Netflix

Unlike royal history or some facets of black American history, LGBTQ + history is never taught in Okay-12 colleges – for example, I was in my twenties after discovering Harvey Milk or the Stonewall riots. This is why the FX Pose, which explores New York’s ballroom lore, early trans activism, and the AIDS epidemic throughout the ’80s and’ 90s, is great instructional software for the public. Since trans rights have transformed a national factor in large part over the past 15 years, it is easy for some cis and non-queer audiences to overlook that other trans and non-binary people existed long before our current second. . The collection mainly installs trans actors and characters in an environment where we do not see them all the time: the old. Even the competition of facts RuPaul’s Drag Race incorporates queer cultural history into its storytelling.

However, history is not just something that can be added and removed from the current day like a Velcro accent. It’s in progress, in real time. Emmy nominated documentary Welcome to Chechnya follows Chechen refugees using hidden cameras as they move away from Russia throughout the purges and persecutions of gay men that have been occurring in the region since the 2010s. The film, which particularly uses l ‘AI and complex visible results to protect the identity of its subjects, emphasizes that the historical past resides and breathes. As painful as it may be, every now and then we get to watch it on a digital camera.

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FX Pose.
Eric Liebowitz / FX

The story first caused a stir in an August independent article from The Hollywood Reporter magazine. To get the mag, click here to subscribe.


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iQIYI launches collection of romantic dramas “SWEET ON Theater”

Unlike typical romantic dramas, the “SWEET ON” series combines love with the workplace, fantasy, suspense and other innovative elements to produce more diverse stories and richer character pairs.

Breaking the trend of homogenization among sweet love dramas, the new themes will deliver a fresh and exciting experience to an aesthetically tired audience. The seven dramas feature over 20 promising young actors, such as BAI Lu, BI Wenjun, CHEN Haoyu, DING Yuxi, GE Xinyi, JU Jingyi, LIANG Jie, REN Jialun, REN Youlun, SHI Boyu, THE9’s YU Shuxin, WU Xuanyi, ZHANG Xincheng and ZHENG Yecheng. Heartwarming stories will inspire users’ desire for love and provide an outlet for their emotions.

The “SWEET ON” series offers users a rich array of romance-focused content that allows each user to find an aspect of romance that they can resonate with. In new upcoming dramas, iQIYI captures the emotional needs and challenges young people face today. The decision to feature promising young actors was made specifically to bring the stories featured in the series closer to iQIYI’s target young audience.

At the recent iQIYI Global Conference in 2021, WANG Xiaohui, President of Professional Content Business Group (PCG) and Director of Content of iQIYI, noted that drama series have entered a new phase of development, with dramas short. duration exhibiting constant innovation in both style and genre. Globally, short-lived dramas are becoming more and more appealing to audiences, Wang said.

Following the Company’s highly successful “LIGHT ON Theater”, devoted to thriller and suspense series, and with the upcoming launches of “SWEET ON” and the “LUGHER ON” comedy collection, iQIYI’s short drama series will cover the full gamut of human emotion, spanning romance, suspense, comedy and more. Through these collections, iQIYI is stepping up its thematic operating model for short drama series, making it a major form in the streaming industry.

As a pioneer in the field, the company has received both critical and public acclaim for its innovative content collections. In the era of decentralized mass content distribution, iQIYI strives to meet the diverse needs of users through this new model, improving their user experience while attracting fans in niche segments. The “SWEET ON Theater” series will continue to build on the company’s curated collection model, offering multi-faceted romantic storylines and diverse, high-quality content that users can identify with and be inspired by.

SOURCE iQIYI, Inc.

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iQIYI launches its collection of romantic dramas “SWEET ON Theater”

Unlike typical romantic dramas, the “SWEET ON” series combines love with the workplace, fantasy, suspense and other innovative elements to produce more diverse stories and richer character pairs.

Breaking the trend of homogenization among sweet love dramas, the new themes will deliver a fresh and exciting experience to an aesthetically tired audience. The seven dramas feature over 20 promising young actors, such as BAI Lu, BI Wenjun, CHEN Haoyu, DING Yuxi, GE Xinyi, JU Jingyi, LIANG Jie, REN Jialun, REN Youlun, SHI Boyu, THE9’s YU Shuxin, WU Xuanyi, ZHANG Xincheng and ZHENG Yecheng. Heartwarming stories will inspire users’ desire for love and provide an outlet for their emotions.

The “SWEET ON” series offers users a rich array of romance-oriented content that allows each user to find an aspect of romance that they can resonate with. In new upcoming dramas, iQIYI captures the emotional needs and challenges young people face today. The decision to feature promising young actors was made specifically to bring the stories featured in the series closer to iQIYI’s target young audience.

At the recent iQIYI Global Conference in 2021, WANG Xiaohui, President of Professional Content Business Group (PCG) and Director of Content of iQIYI, noted that drama series have entered a new phase of development, with dramas short. duration exhibiting constant innovation in both style and genre. Globally, short-lived dramas are becoming more and more appealing to audiences, Wang said.

Following the Company’s highly successful “LIGHT ON Theater”, devoted to thriller and suspense series, and with upcoming launches of “SWEET ON” and the “LAUGHER ON” comedy collection, iQIYI’s short drama series will cover the full gamut of human emotion, spanning romance, suspense, comedy and more. Through these collections, iQIYI is stepping up its thematic operating model for short drama series, making it a major form in the streaming industry.

As a pioneer in the field, the company has received both critical and public acclaim for its innovative content collections. In the era of decentralized mass content distribution, iQIYI strives to meet the diverse needs of users through this new model, improving their user experience while attracting fans in niche segments. The “SWEET ON Theater” series will continue to build on the company’s curated collection model, delivering multi-faceted romantic storylines and diverse, high-quality content that users can relate to and be inspired by.

SOURCE iQIYI, Inc.

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www.iqiyi.com


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Odain Watson from Odangerous launches drama collection

LOS ANGELES, March 25, 2021 / PRNewswire / – Odangerous launches a must-have new collection, aptly named Drama. Odaingrous, by talented designer Odain Watson, has become synonymous with celebrity streetwear. As seen on celebrities such as Baby Rexha and Lindsay Lohan, Odangerous released the very popular Joe Exotic collection in May 2020 and has since gained a following cult.

Eager to continue his unparalleled success, Odain Watson is releasing the new Drama collection just in time for spring. Entering the shoe arena, the collection includes three classic shoe designs, the Drama pump, high top sneakers and boots. Speaking about the collection, Odain commented: “I am very happy to launch the Odangerous Drama shoe collection. We really have a stylish shoe for everyone, whatever your tastes.”

The Drama pump features smooth Italian leather, an elegantly contoured toe with a slim, sexy high heel in a fierce pink hue. Reflecting sophistication and extreme style, the Drama pumps are the perfect finishing touch for any active woman.

Retail price: $ 237

On the other side of the spectrum, the Drama high top sneakers are a retro throwback to the ’90s with a basketball-inspired silhouette. The minimalist design features a smooth leather upper and reinforced toe cap with a comfortable padded ankle collar providing plenty of support from the sporty design. Round metal lacing hooks stand out on the leather sneaker, giving it a touch of glamor.

Retail price: $ 279

Taking on the traditional design of police boots, the Drama boots feature a dented sole with the perfect heel height to keep you comfortable on any occasion. Embossed details and military fatigue enhance the simple style to make it the perfect everyday shoe.

Retail price: $ 235

All three models were handcrafted in Italy using the best materials. A real statement piece that will be worn season after season.

The Drama collection is available exclusively on www.odaingerous.com. For more information on Odaingerous, follow the streetwear brand on all social media @odaingerous.

Media contact
Eight-spoke talent agency [email protected]

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The dramatic pomp
Odain’s personal favorite for the collection.

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ASU Child Drama Collection Expands Reach to Academics

September 20, 2017

Archive of costume innovator Irene Corey – who created Barney looks to biblical characters – to feature a searchable list

Arizona State University’s Children’s Drama Collection is the world’s largest, most used and renowned youth theater repository, according to university officials.

It attracts academics, playwrights, performers, and students from around the world to study its costumes, screenplays, drawings, and ephemera – but the reach of one of its most prized parts has been limited to those who could. go to the Hayden Library in Tempe.

By the end of the year, however, a list of the contents of the Irene Corey collection will be available to everyone online. Then, Katherine Krzys thinks, “people will come in droves.”

“Irene Corey literally changed the face of costume and makeup design,” said Krzys, who among other roles – archivist, actress, director, author and historian – is the curator of the Child Drama Collection.

“All of these innovations are visually documented and printed in its archives for researchers and artists to discover. It is a unique source that will inspire generations of new theater artists.

Irene Corey and Barney, one of his most famous creations.

For more than half a century, Corey has designed costumes, sets and makeup for shows as diverse as theater classics and theme park characters. Corey became known nationally for the “Book of Job” in the 1950s, which spanned 22 years around the world.

She also designed the costumes for the TV show “Barney and Friends” (including the friendly dinosaur purple color) and helped create the first Chick-fil-A cows and the Bookworm from Half Price Books. Many in the field also believe that without Corey’s visionary work, audiences would not have seen “Cats” or “Lion King” on Broadway.

Items in the collection include Corey’s innovative costumes for “The Tempest” and “The Book of Job”, animal make-up renderings, production photographs, costume renderings, and his historical and cultural research records. .

“Irene was really in the process, and when you look at this collection you’re going to see little ideas on the backs of the menus, on the backs of the envelopes,” Krzys said. “Its process is the most important thing the collection can tell you.”

It may also tell you that Corey’s lifelong work is worth a pretty pennyCorey died of Parkinson’s disease in 2010. She was 84 years old.. Originally valued at $ 200,000 at the time of its donation in 1995, it is now possible that the collection is worth millions, said Lynda Xepoleas, an art history major at ASU. Art schoolThe School of Art is a unit within the Herberger Institute for Design and the Arts. and help in the ASU Library Conservation Lab.

“I’ve worked on a Marc Chagall costume show before, and he and Irene Corey were leading artists in their respective fields,” said Xepoleas, who works with Krzys to preserve the costume part of the collection. “The things I see in Irene’s collection are just as impressive as what I saw in her exhibit.”

Over the past few months, Xepoleas has created hanging and boxed storage for costumes, accessories, masks, wands, headdresses, belts and gloves. She said working with these items gave her insight into Corey’s creative process.

“She wanted these costumes and accessories to be seen from a distance rather than functional,” said Xepoleas. “Witnessing history up close has been very rewarding for me. “

Krzys said it took over a decade to convince Corey to donate his papers to ASU.

“I personally went to pack her papers in her art-filled home in Dallas – find costumes in the crawl space of her outdoor studio, renderings under the buffet in her dining room – everywhere she had it. space, ”Krzys said. “The process was filled with laughter, amazing stories, designer tips and a lifelong friendship.”

The Irene Corey Collection is part of the Child Drama Collection, the world’s largest compilation documenting the international history of children’s theater since the 16th century.

It was created at ASU in 1979 by librarian Marilyn Wurzburger, head of special collections, and Lin Wright, chair of the theater department at ASU. They jointly recommended the development of a children’s drama collection in response to the academic needs of students and teachers of youth theater at ASU and the research needs of professional artists and educators around the world.

Deanna Dent / ASU video now

The first collection donated to the university, Wurzburger said, was from Rita Criste, a professor of children’s theater at Northwestern University in Evanston, Ill., Who donated her papers and books to the KNEW.

“All university libraries like to stand out because they know it will give them a certain prestige. They know people will come from all over the world to view a collection, ”said Wurzburger, who started at ASU in 1960 and retired in 2009.

Among those people was John Newman, a theater professor at the University of Utah Valley, who brought four theater students with him in July to view the collection. The students recently received a grant to research and develop a new play for the Utah Children’s Theater called “Builders of America,” based on several historical American figures.

“The students were so engaged in the research that it was difficult to take them away from the process,” Newman said. “We were greeted by the character Job, who wore an original Irene Corey costume, and it was a great introduction to the collection.”

Newman added that the collection captured the imagination of every one of his students – a designer, a playwright, a director and a playwrightA playwright is a professional writer / editor in a theater or opera company who is primarily engaged in the research and development of plays or operas..

“Kathy was able to find something that appealed to their individual or found a tangent that extended their interest,” Newman said. “It was an exceptional experience. “

Ashley Laverty, a graduate of the Herberger Institute for Design and the Arts School of Film, Dance and Theater, MA in Fine Arts, Youth Theater Program, said she had spent a good deal of his academic career browsing the collection, drawing inspiration from his work.

“I used the collection fairly regularly during my three years in senior school at ASU, and it was a huge resource for me,” said Laverty, who now works for the Rose Theater, a premier venue for the performing arts in Omaha, Nebraska. “I’m lucky to have been on a program where I could literally ask Kathy for a play and she knows how to get it. “

Wurzburger said that once a university starts building a collection, others start to notice.

“People are starting to think, ‘I wish my papers were next to these,'” Wurzburger said. “When you get off to a good start, there is hope that you can build on that. “

Wurzburger was able to build on the collection thanks to a key recruit she made in 1985 by bringing in Krzys, who was then a graduate research assistant in the ASU MFA Theater for Youth program. Krzys said she had a job at a children’s theater in San Francisco after she graduated with her masters degree. She said she had to write an article on research methods and came across the collection of children’s dramas.


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