Repertoire Web http://www.repertoire-web.com/ Tue, 12 Oct 2021 09:38:17 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 http://www.repertoire-web.com/wp-content/uploads/2021/10/cropped-icon-32x32.png Repertoire Web http://www.repertoire-web.com/ 32 32 Southern Sponsors Landau Murphy’s Anniversary Concert This Weekend | Culture & Leisure http://www.repertoire-web.com/southern-sponsors-landau-murphys-anniversary-concert-this-weekend-culture-leisure/ Tue, 12 Oct 2021 07:00:00 +0000 http://www.repertoire-web.com/southern-sponsors-landau-murphys-anniversary-concert-this-weekend-culture-leisure/

Landau Eugene Murphy Jr. is helping Southern WV Community & Technical College celebrate its 50th anniversary with a free public concert on its Logan campus this Saturday.

Southern is proud to present Landau as it celebrates the 10th anniversary of its “America’s Got Talent” victory. The concert will take place at the Savas Kostas Performing Arts Center from 7 p.m. Southern requests at least two cans of each person in attendance for the college pantry, which serves its students.

Murphy’s victory in 2011 drew national and international attention to the local community. Celebrations and parades were held, banners and posters were in business windows, and a bridge was named in his honor.

In 2011, he got his big shot when he won “America’s Got Talent,” receiving a million dollar grand prize, a show in Las Vegas, and a recording deal with Columbia Records. Murphy’s debut CD is number one

Murphy will perform all the songs from his winning streak on the “America’s Got Talent” series. It also reserves some surprises.

Southern President Dr Pamela L. Alderman said: “We are delighted to present Landau on our stage at the Savas Kostas Performing Arts Center. He has been an ambassador for the region and a strong advocate for education. We are more than delighted that it is part of our 50th anniversary celebration. “

The concert is sponsored by Fountain Place Cinemas, Logan Regional Medical Center and The City of Logan.

Additional sponsors include Robert Noone Legal Services, Missy Birchfield, your local State Farm insurance agent, Keefer’s Powersports, and Mountain State Harley-Davidson.

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To live. To participate. Support. NT performing arts. – Event information http://www.repertoire-web.com/to-live-to-participate-support-nt-performing-arts-event-information/ Tue, 12 Oct 2021 06:43:21 +0000 http://www.repertoire-web.com/to-live-to-participate-support-nt-performing-arts-event-information/

Artback NT is the gateway to sharing the rich cultures, stories and art of the Northern Territory with Australia and the rest of the world. We develop and produce new, innovative and stimulating works.

‘The Other Side of Me’ is a poignant contemporary dance work based on a collection of letters and poems written by a man born in Kalkarindji (NT) in 1966, who was adopted by an English family and raised in Cornwall (United Kingdom). The production explores identity, the criminal justice system and psychological health.

A new intercultural work in music, song and dance, “Bayini’s Journey”, interweaves Gumatj Yolŋu’s stories about the first visitors to Arnhem Land. A collaboration between artists from the First Nations of Arnhem Land and Taiwan.

Three emerging creators are supported as part of a mentoring and professional development program for people with disabilities in the theatrical production “Trash Magic”, a tale about family, nature and the MESS!

To find out more visit artbacknt.com.au

images: 1. (LR) Gary Lang, Aaron Green and Glen Thomas, creative development, ‘The Other Side of Me’, UK, 2020 2. (LR) Aaron Green, Glen Thomas and Gary Lang, creative development, ‘ The Other Side of Me ‘, United Kingdom, 2020 3. Loretta Yunupingu and Ngalkanbuy Munungurr, Blak LAB, Australian Performing Arts Market, Melbourne. Photo courtesy of APAM 4. (LR) Ljavaus Chen, Rachael Wallis, Loretta Yunupingu, Aulu Tjibulangan, Sang Mei-Chuan and Ngalkanbuy Munungurr en spectacle, Blak LAB, Australian Performing Arts Market, Melbourne. Photo courtesy of APAM 4. Mr Dingo Trash, “Trash Magic” dress rehearsal, Luminous Theater, 2021. Photographer Georgia Glen

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Disparities in COVID-19 restrictions troubling the performing arts community http://www.repertoire-web.com/disparities-in-covid-19-restrictions-troubling-the-performing-arts-community/ Tue, 12 Oct 2021 03:57:05 +0000 http://www.repertoire-web.com/disparities-in-covid-19-restrictions-troubling-the-performing-arts-community/

Regina Sung, Photo Editor

As the University eases COVID-19 restrictions on track teams, some members of Yale’s performing arts groups have expressed frustration with regulations that continue to restrict in-person performances.

Currently, performance arts – including theater, a cappella, dance and comedy groups – face austerity COVID-19 restrictions. Yale requires that masks be worn for all indoor performances and rehearsals. Indoor performances can only take place in theaters at 75 percent of their capacity, and the production crew and audience together cannot exceed 50 people. External visitors cannot attend the performances. When groups perform outdoors, many restrictions are lifted, but singing groups are required to maintain a distance of 12 feet between members if they wish to perform without a mask. In contrast, student-athletes are not required to wear masks when playing or training.

“The safety of the Yale community and the surrounding community of New Haven is always the first consideration,” Dean of Student Affairs Melanie Boyd wrote in a statement to the News.

At the end of September, the University lifted certain restrictions on all enrolled student groups, including performing arts groups. Before these restrictions were lifted, students could not meet in groups of more than 20, and performing arts groups were required to wear masks indoors and outdoors.

According to Boyd, the university’s ability to ease restrictions on extracurricular activities depends on the availability of vaccines and the increasingly high undergraduate vaccination rate. The most recent data available shows that 99.5% of undergraduates are fully vaccinated against COVID-19. High vaccination rates have kept cases low, with 24 cases at Yale last week. Still, Yale College dean Marvin Chun explained that the Delta variant featured heavily in the university’s planning, which led to the “start of semester.”[ing] very different from what we expected.

Cassandra Hsiao ’22, a major in theater and performance studies currently producing her master thesis performance, has expressed frustration with the lingering uncertainty surrounding COVID-19 restrictions.

“All this uncertainty for the [theater and performance studies] the elderly in particular have strained our nerves, ”Hsiao said. “How are seniors supposed to prepare for a thesis production when there is so much on the table and Yale seems slower to respond to our requests and concerns? Much of our energy is spent researching logistics instead of focusing on creation. “

Bibiana Torres ’22, president of the Yale Dramatic Association, explained that COVID-19 restrictions affect every element of theatrical production.

Not only must the performances be obscured and limited in size, but the size of the cast and crew must be reduced so that rehearsals can take place in person, and the Dramatic Association is unable to hold meetings of the board of directors, Torres said.

“For some people, the arts are like their refuge,” Torres said. “This is how they take care of their mental health. For some people, going to see our performances is a really valuable part of their experience and something that is essentially missing when it is not allowed.

On September 2, the a cappella group Spizzwinks (?) Wrote a letter to Boyd – which members of the Alley Cats, Mixed Company, New Blue, Out of the Blue, Baker’s Dozen, Red Hot ‘n Blue, Something Extra and Doox signed – arguing that the University’s a cappella restrictions were inconsistent with other public health policies.

But not all performing arts students challenge the regulations.

The Yale Symphony Orchestra, whose annual Halloween show typically fills Woolsey Hall to capacity, will again take place in Woolsey this year, Chun said, but not at full capacity. Interim planning will allow a small audience in person in the theater itself, while additional watch nights will take place around campus.

“The restrictions imposed on us during rehearsals are fair; we are a large group that plays indoors, and some of us literally play instruments while blowing air, so it is only reasonable that we take precautions with our masks, ”said the president YSO student, Supriya Weiss ’24. “Hopefully we’ll be allowed to have some sort of live audience with us at Woolsey Hall, but after spending a whole year without even rehearsing in person, I’m thankful that Yale has approved of us playing together. “

Still, Hsiao told the News that she sees the University’s restrictions on the performing arts as problematic compared to the relatively relaxed constraints of athletics.

Non-Yalies are currently not allowed to attend theatrical performances, according to Hsiao, but sports players and coaches are allowed to invite up to four non-Yale guests to sporting events. Hsiao suggested that non-Yalies be allowed to attend the performances with proof of vaccination.

There is no readily available list of COVID-19 restrictions on the Yale Athletics website. Mike Gambardella, associate athletic director for strategic communications, told The News that the department “follows Yale University [COVID Review Team] approved policy for all fixed-seat sites. Gambardella outlined the application of these policies in an interview with News in September.

The personalization of public health precautions for individual operations across the University has been “critical,” Boyd wrote. According to Boyd, there has been a “useful synergy” between the arts and athletics, as both are aerosolization activities.

“Both areas were able to open up to co-presented audiences, with careful advice and restrictions; experiences from these events will also help refine these and other policies, ”Boyd wrote.

In a joint statement from chairman of the Chelsea Kung ’23 Student-Athlete Advisory Committee and Yale Athletics Communications team, the athletics leadership at Yale affirmed the safety of their COVID-19 regulations and their enthusiasm to return to the game in person.

Kung added that all the track teams were excited to represent Yale across and beyond the Ivy League.

“Yale Athletics and Yale as a whole have done everything in their power to bring back safe extracurricular activities, including sports and competition,” the statement said. “While things are different from previous years due to COVID, the essence is the same and the competition between student-athletes is met with a fierce desire to represent ourselves and Yale.”

Likewise, Boyd expressed his appreciation for the extracurricular activities being able to continue in person.

“We have sorely missed these activities and the hope is that more and more activities will be possible during the year,” Boyd wrote.
The University’s Complete COVID-19 Policies Regarding Enrolled Student Groups Available in line.




LUCY HODGMAN


Lucy Hodgman covers student life. She previously covered the Yale College Council for the News. Originally from Brooklyn, New York, she is in her second year at Grace Hopper majoring in English.




OLIVIA TUCKER




Olivia Tucker covers politics and student affairs at Yale College. Previously, she was Associate Editor of Yale Daily News Magazine and covered gender equity and diversity as a reporter. Originally from the San Francisco Bay Area, she is a second year student at Davenport College majoring in English.


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MARY POPPINS will be presented at the Franklin Performing Arts Company http://www.repertoire-web.com/mary-poppins-will-be-presented-at-the-franklin-performing-arts-company/ Mon, 11 Oct 2021 20:37:19 +0000 http://www.repertoire-web.com/mary-poppins-will-be-presented-at-the-franklin-performing-arts-company/

The Franklin Performing Arts Company will present Disney & Cameron Mackintoshby Mary Poppins. The production, choreographed by and starring Broadway’s Clay Rice-Thomson, will run October 15-17 and 22-24 at THE BLACK BOX. Everyone’s favorite almost perfect nanny takes flight in THE BLACK BOX for this Supercalifragilisticexpialidocious musical adventure.

The production stars Kaley Were of New York as the main character. Were has performed in the region and across America with The Wizard of Oz National as well as at the Lyric Theater of Oklahoma (Bernice Bobs Her Hair, Mary Poppins, Oklahoma !, Big Fish) and Disney Cruise Line (Disney Magic, Disney Fantasy, Disney Dream). She recently sailed the Seven Seas with Disney Cruise Line, performing on the Disney Dream in IAAPA’s award-winning production of Beauty and the Beast. Graduated from Oklahoma City University’s Bass School of Music with a Bachelor of Music degree in Musical Theater. This will be his first production with the APFC.

The production’s choreography, and starring adorable Chimney Sweeper Bert, is Broadway’s Clay Rice-Thomson. Rice-Thomson has performed on Broadway in KING KONG (King’s Company), Newsies (Spot Colon), Matilda (Michael Wormwood) and the Broadway National Tours of WICKED (Chistery), Jesus Christ Superstar, West Side Story (A-rab), and Oliver from Cameron Macintosh. Her TV credits include Saturday Night Live, The TONY Awards, MACYS Thanksgiving Day Parade, The Tonight Show, GMA, The Late Show, The View, The Marvelous Mrs. Maisel, and more. With the APFC, Rice-Thomson choreographed Matilda, who starred in Christophe Rice‘s The Tappy Christmas Special: LIVE !, and most recently played Aaron Schultz in Legally Blonde from summer 2021.

The production of the APFC, led by Raye lynn mercer, is presented with a professional live orchestra and the spectacular aerial effects of Fly by Foy. From the books of PL Travers and the classic Walt disney cinema, disney and Cameron MackintoshMary Poppins wowed Broadway audiences for over 2,500 performances and received nominations for nine Olivier and seven Tony Awards, including Best Musical. Mary Poppins is an enchanting mix of compelling stories, unforgettable songs, mind-blowing dance numbers, and stunning staging.

Mary Poppins will take place October 15-17 and 22-24 at THE BLACK BOX in downtown Franklin. Tickets are on sale now on www.THEBLACKBOXonline.com or by calling the box office at 508-528-3370. Customers are invited to follow the Franklin Performing Arts Company on Facebook and Instagram (@ franklin.performing.arts.co) for season updates, behind the scenes of their productions, and more.

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The 6th Magnolia Arts Festival features over 100 visual and performing artists this weekend in Peachtree City http://www.repertoire-web.com/the-6th-magnolia-arts-festival-features-over-100-visual-and-performing-artists-this-weekend-in-peachtree-city/ Mon, 11 Oct 2021 20:30:36 +0000 http://www.repertoire-web.com/the-6th-magnolia-arts-festival-features-over-100-visual-and-performing-artists-this-weekend-in-peachtree-city/

Artists from across the United States will once again converge on the shores of Lake Peachtree in Peachtree City, Georgia for the 6th annual Magnolia Fine Arts Festival. Over 100 visual and performing artists will showcase their talents on Saturday October 16 and Sunday October 17. It is the largest gathering of fine arts-related talent in Fayette County each year.

The Magnolia Fine Arts Festival celebrates traditional artistic expressions, digital, jewelry, wood, dance, words, songs and other artistic expressions and takes place in the picturesque setting of Drake Field Lake for two days of fun cultural. Sponsored by the Fine Arts and Crafts Entrepreneurs (FAACE), the family festival educates and shares works of art with the community while benefiting from the art programs of the Fayette school.

In addition to showcasing artists, the event includes entertainment for the whole family, including an artists’ market, live painting demonstrations, live music and dance performances, tea and painting tasting. , a K-12 art exhibit, food trucks, inflatables, a photo booth, enchanted princesses, a kids’ corner, an opportunity to support local artists, and more.

Saturday Performing Arts Program

Enjoy concerts and dance performances starting Saturday at 10 a.m. Line-up includes musician Mark Fulmer, the Georgia Singers Company, country and pop singer Cindy McCord, Dance Contempra, Reigning Victory Dance Studio, Heart Music, and pop and country band Austin Neal and Savannah Road.

Sunday Performing Arts Program

Sunday’s programming starts at noon and includes 3Hre, Rare Epiphany, Moksha Rao and the Artistry School of Performing Arts.

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Tickets on sale October 12: Cerritos Center for the Performing Arts 2021-2022 Season – Cerritos Community News http://www.repertoire-web.com/tickets-on-sale-october-12-cerritos-center-for-the-performing-arts-2021-2022-season-cerritos-community-news/ Mon, 11 Oct 2021 20:26:25 +0000 http://www.repertoire-web.com/tickets-on-sale-october-12-cerritos-center-for-the-performing-arts-2021-2022-season-cerritos-community-news/

October 11, 2021

CERRITOS, CA – The Cerritos Center for the Performing Arts (CCPA) is delighted to welcome audiences once again with an exciting 2021-2022 season, which kicks off Friday, December 3 at 8:00 p.m. with iconic artist Marie Osmond.

The new season’s lineup includes world-renowned artists including Emmy winner Benise, dazzling duo Penn & Teller, Grammy winner Gloria Gaynor, comedians Colin Mochrie and Brad Sherwood, and many more. others.

Tickets go on sale to the general public on Tuesday, October 12. Customers get big discounts by subscribing to Rob Kapilow’s What makes it awesome? series or the popular Choose your own season package, which offers a 10% discount and the ability to customize your own season with five or more performances if orders are placed before Tuesday, November 30. Performance partnership programs are not eligible for the Choose your own season Wrap.

Order tickets and select seats at cerritoscenter.com or call (562) 916-8500. Purchase orders can also be dropped off at the ticket office during normal business hours.

CCPA thanks our 2021-2022 season sponsors which include 3-D Theatricals, Aria Apartment Homes, Cerritos Auto Square, Cress Capital, George & Bev Ray, Los Angeles County Supervisor Janice Hahn and Yamaha for their generous support. .

To protect the health and safety of clients, artists, volunteers and staff, CCPA follows all recommendations and requirements of public health officials. Health and safety guidelines are posted on the theater website.

CERRITOS CENTER FOR THE PERFORMING ARTS

SEASON 2021-2022

SEASON OPENING

Marie Osmond: A Symphonic Christmas

With special guests David Osmond and Daniel Emmet

FRI, DEC 3, 2021, 8:00 p.m.

Marie Osmond: A Symphonic Christmas

Merry Christmas Achi

Sol de México by José Hernández,

Mariachi Reyna from Los Angeles,

and DanzArts Sabor México Dance Company

SAT, DEC 4 2021, 7:00 p.m.

SUN DEC 5, 2021, 2:00 p.m.

Christmas with the filharmonic

FRI, DEC 10, 2021, 8:00 p.m.

Christmas with the filharmonic

PERFORMANCE PARTNERSHIP PROGRAM

Los Angeles Symphony Christmas Concert

SUN, DEC 12 2021, 7:00 PM

Dave Koz and his Christmas friends 2021

FRI, DEC 17, 2021, 8:00 p.m.

SAT, DEC 18, 2021, 8:00 p.m.

PERFORMANCE PARTNERSHIP PROGRAM

Broadway lights up the holidays

SUN, DEC 19 2021, 7:00 PM

Celtic Angels Christmas

WED, DEC 22, 2021, 8:00 p.m.

Celtic Angels Christmas

Mannheim Steamroller Christmas by Chip Davis

WED, DEC 29, 2021, 8:00 p.m.

Benin – 20e Anniversary tour

SUN JAN 9, 2022, 7:00 p.m.

Benin – 20e Anniversary tour

Captions: Keola Beamer and Henry Kapono

SUN JAN 16, 2022, 7:00 p.m.

Matt Mauser & The Pete Jacobs Big Band

FRI Jan 21, 2022, 8:00 p.m.

Sponsored by Aria

Penn & Teller

FRI Jan 28, 2022, 8:00 p.m.

Gloria gaynor

SAT, Jan 29, 2022, 8:00 PM

Motown Legends

With Thelma Houston, The Miracles Review and The Contours

SUN, JANUARY 30, 2022, 3:00 p.m.

Yamato – The drummers of Japan

FRI, FEBRUARY 4, 2022, 8:00 p.m.

Elton John’s Classic Hits – Live!

With Brody Dolyniuk

SAT, FEBRUARY 12, 2022, 8:00 p.m.

Keiko Matsui

FRI, FEB 25, 2022, 8:00 p.m.

Keiko Matsui

Renée Elise Goldsberry

SAT, FEBRUARY 26, 2022, 8:00 p.m.

A queen’s night

SUN, FEBRUARY 27, 2022, 7:00 PM

The four ghosts in concert

FRI, MAR 4, 2022, 8:00 p.m.

The four ghosts in concert

John Mueller’s Winter Dance Party:

A tribute to Buddy Holly, Ritchie Valens and The Big Bopper

FRI, MAR 18, 2022, 8:00 p.m.

Rat Pack & Marilyn Toast

SAT 19 MAR 2022, 8:00 p.m.

Rat Pack & Marilyn Toast

Sponsored by Cress Capital

It is magic!

SUN, 27 MAR 2022, 3:00 p.m.

Herb Alpert & Lani Hall

FRI, APR 1, 2022, 8:00 p.m.

Beautiful – The Carole King Musical

MON APR 4, 2022, 7:00 p.m.

The Best of Doo-Wop Vol. VI

SAT, APR 9, 2022, 8:00 p.m.

Sponsored by Cerritos Auto Square

Don Felder

SUN, APR 10, 2022, 7:00 p.m.

Don Felder

Lea Salonga

SAT, APR 16, 2022, 8:00 p.m.

Roots and Boots Tour

With Collin Raye, Aaron Tippin and Sammy Kershaw

SUN APR 24, 2022, 7:00 p.m.

Colin Mochrie and Brad Sherwood

SUN 1 MAY 2022, 7:00 p.m.

Colin Mochrie and Brad Sherwood

Sarah Chang and Julio Elizalde

FRI, MAY 6, 2022, 8:00 p.m.

PERFORMANCE PARTNERSHIP PROGRAM

News

FRI 13, 20 and 27 MAY 2022, 8:00 p.m.

SAT 14, 21 and 28 MAY 2022, 8:00 p.m.

SUN, MAY 15, 22 and 29, 2022, 2:00 p.m.

SAT 21 & 28 MAY 2022, 2:00 p.m.

THU, MAY 26, 2022, 7:30 PM

News

Sponsored by George & Bev Ray

ROB KAPILOW’S What makes it awesome? SERIES

STRAVINSKI – The Firebird Suite

With the California State University Fullerton Symphony Orchestra

Kimo Furumoto, conductor

WED, FEBRUARY 2, 2022, 7:30 PM

CHOPIN – Piano Sonata in B flat minor (with the famous Funeral march)

With Vijay Venkatesh, piano

and the Colburn School of Music

WED 16 MAR 2022, 19:30

Swing! The Great Big Bands of the Swing Era

With CSUN A Band

Directed by Tina Raymond

WED APR 13, 2022, 7:30 p.m.

# # #

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Utah Arts Review »Blog Archive» The Utah Opera returns with a zany and colorful staging of Rossini’s “Barber” http://www.repertoire-web.com/utah-arts-review-blog-archive-the-utah-opera-returns-with-a-zany-and-colorful-staging-of-rossinis-barber/ Mon, 11 Oct 2021 20:09:23 +0000 http://www.repertoire-web.com/utah-arts-review-blog-archive-the-utah-opera-returns-with-a-zany-and-colorful-staging-of-rossinis-barber/
The Utah Opera production of Rossini’s “Barber of Seville” runs until October 17. Photo: Dana Sohm

A Woman on Stilts and a Dream Ballet featuring human-sized chickens are just two of the wacky surprises that greeted audiences at Utah Opera on Saturday night for its season-opener Rossini production. The Barber of Seville. Extras also included naughty nuns, Napoleonic soldiers throwing confetti, and a recurring chicken and rooster design that is never explained.

Set designer Shoko Kamburra and costume designer Amanda Seymour have created a colorful, carnival world reminiscent of mid-century modern design and 1960s fashion, yet deviant enough to be totally original. Combined with director Michael Shell’s frenzied and largely comedic staging, the production was a joyous pastiche, reminding viewers of a certain age of Rowan & Martin’s Laugh-In.

The directing worked because it accentuated the sparkling silliness of Rossini’s music and Cesare Sterbini’s libretto. The opera tells the story of an earl who, with the help of his barber, disguises himself as a poor student, soldier and ultimately music teacher to woo a woman who is kept under lock and key by her guardian, a doctor who has intend to marry her. The characters’ machinations don’t make much sense under close scrutiny, and it’s never entirely clear why the Earl – who is powerful enough to avoid being arrested at some point by revealing his identity to the police – don’t just announce themselves and their intentions at the start.

Featuring some of the most famous and beloved arias of all operas, Rossini’s sublime score seems to nod to the ridiculousness of the plot, as he shamelessly showcases his own skills and those of the singers in a dizzying array of covers and ensembles which, although de rigor in the bel canto style, do little to advance the plot. Shell, Kamburra, and Seymour – all making their Utah opera debut – match Rossini’s shamelessness, filling the space Rossini gives them with a camp and falls that amaze at every turn.

While playing the title role with easy charisma and excellent comedic timing, Michael Adams’ portrayal of Figaro’s opening aria “Largo al Factotum” lacked vocal power and on a few occasions he did. been drowned by the orchestra. However, he found his voice as the evening wore on.

Like Rosina, Sarah Coit was captivating. His opening tune “Una voce poco fa” displayed a clear, natural tone and his phrasing – and that of the orchestra under Gary Thor Wedow – was exquisite. Throughout the evening, her voice has been at the service of her character, drawing audiences to sympathize with Rosina’s plight.

As Almaviva, tenor Matthew Grills also impressed with a clear and natural tone and the compatibility of the voices of the romantic protagonists added to their chemistry. His sweet interpretation of “Se il mio nome”) which he sings to Rosina in front of his window, conquered the public as well as his future.

Perhaps the biggest laughs were earned by Matthew Burns as Doctor Bartolo, who played an unhappy father in a late 1960s sitcom. He got into the physical comedy of his role while singing his baritone role with precision and brilliance. In this production he was an optometrist and Rosina was his assistant. At one point, Shell decided to have them give an eye exam to a frightened patient as they argued in a recitative, and the two skillfully handled the complicated physical comedy, without losing a note or a fulfillment.

This production featured Don Basilio as a strutting Italian pop singer, whom Adam Lau played extensively, occasionally holding a false microphone and doing an Elvis-style bump and grind as his rich bass voice glided easily over Rossini’s sheet music. His portrayal of “La Calunnia” (“slander”) was one of the highlights of the musical evening, and the duplicity and confusion of his character created an excellent foil for Adams as Figaro.

Rounding out a great cast, Julia Gershkoff added some laughs with her earthy and somewhat alluring portrayal of Doctor Bartolo’s maid, Berta, delivering a charming take on her comedic tune.

From the opening stronghold, Wedow captured the spirit, refinement and energy of the score, skillfully phrasing the quiet parts and buzzing under the raucous ensembles.

The zenith of the wacky staging was the scene of Count Almaviva disguised as a music teacher. Dressed in lime green and forest green vertical striped pants, a floral blouse, love beads and a leather waistcoat and wearing a sitar, the count sings “Pace y gioia” (“peace and happiness’) walking past Dr. Bartolo and his servants, spreads out a yoga mat and proceeds to sage the room. He then launches into yoga sun salutations and is in the middle of a downward dog pose, when Dr. Bartolo finally asks who he is, addressing the Earl’s butt. Although campy, the scene remained true to the sense of the scene in the original opera and the additional elements accentuated the laughs that were already expected.

The Barber of Seville runs through October 17 at the Janet Quinney Lawson Capitol Theater. usuo.org

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Baton Rouge River Center Theater for Performing Arts opening postponed until next year http://www.repertoire-web.com/baton-rouge-river-center-theater-for-performing-arts-opening-postponed-until-next-year/ Mon, 11 Oct 2021 18:57:30 +0000 http://www.repertoire-web.com/baton-rouge-river-center-theater-for-performing-arts-opening-postponed-until-next-year/

BATON ROUGE, Louisiana (BRPROUD) – Hurricane Ida is still affecting Baton Rouge 43 days after landing in Louisiana.

The recent storm delayed construction of the Baton Rouge River Center Theater for Performing Arts.

This means the theater will not open until 2022 and events for 2021 have been rescheduled, postponed or canceled.

The affected events are listed below:

  • An evening with CS Lewis, originally scheduled for October 15, 2021, has been postponed to April 2, 2022.

Tickets will be honored for the new date and refund requests should be directed to the original point of purchase.

  • STOMP, originally scheduled for November 30, 2021, has been postponed to April 18, 2022.

Tickets will be honored for the new date. Season subscribers can contact
subscriptions@asmbatonrouge.com for any issues or concerns.

  • Elf on the Shelf, which was scheduled to take place on December 8, 2021, has been canceled.

If you have already purchased tickets for this event, they will be refunded automatically in 7-10 days.

  • The Nutcracker – A Tale of the Bayou, which was due to take place on December 18 and 19, 2021, was
  • moved from theater to ballroom.

If you have already purchased tickets for this event, you will be offering comparable seats. Please call (225) 389-7108 with any issues or concerns.

The Crooks, Regional Managing Director of ASM Global, said: “While it is unfortunate that this
the anticipated reopening of the Theater for Performing Arts was postponed, with support from the
City of Baton Rouge, our artist companies and patrons were determined to get it right. The theater will be
to be a major addition to the Baton Rouge entertainment scene, and we look forward to welcoming customers
back on site in 2022. We apologize for any inconvenience and appreciate everyone’s patience
during this time. Please stay tuned to raisecanesrivercenter.com and our social media platforms for
updates.”

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UGA Performing Arts Center season opens October 14 with Time For Three | New http://www.repertoire-web.com/uga-performing-arts-center-season-opens-october-14-with-time-for-three-new/ Mon, 11 Oct 2021 17:37:00 +0000 http://www.repertoire-web.com/uga-performing-arts-center-season-opens-october-14-with-time-for-three-new/

After a year and a half of minimal activity, the UGA Performing Arts Center is back in business, welcoming the public for a tremendous 25th anniversary celebration that culminates in April and May 2022.

Classically-formed indie-pop trio Time For Three opens the season Thursday, October 14 at 7:30 p.m. in the Hodgson Concert Hall. They are known for their exquisite playing of strings and singing in close harmony. As Strad magazine wrote: “This remarkable band is not to be missed, and its members perform (and sing) with joy, mastery, creativity and supreme artistry in everything they do; really, no one else is like Time for Three. “

The next day, Friday October 15 at 8 p.m., the Doric String Quartet of England will be joined by famous pianist Jonathan Biss for an evening of Beethoven, Bartók and Elgar. Admission to this annual Payne Memorial concert is free, but tickets are required.

The event is named after Dr. William Jackson “Jack” Payne, former dean of the Franklin College of Arts and Sciences, who founded the Franklin College Chamber Music Series in 1978. In honor of his efforts, the Payne Memorial Concert is presented free to the public once per season.

“During the pandemic, the Performing Arts Center held online events – concerts and conversations – without audiences or with very small audiences,” said Jeffrey Martin, director of the Performing Arts Center. “We are more than ready to have a constant flow of artists on our stages and to reward them with applause.”

The UGA Performing Arts Center celebrated its opening in 1996 with gala performances by soprano Jessye Norman and the Atlanta Symphony Orchestra. This 25th anniversary season features a gala on April 24, 2022 featuring six-time Tony Award-winning Broadway star Audra McDonald. The week of celebration ends with an Atlanta Symphony concert on May 1.

“Not only has the world changed dramatically since we opened our doors 25 years ago, it has changed dramatically over the past year as we have suffered the devastating impact of a global pandemic, social injustice, political uncertainty and many other things. “said Martin.

“These experiences highlight the importance of the performing arts in our lives. As we come together this season, we will harness the power of the arts to unite, heal us, and help us through the many difficult emotions we have experienced. feeling.”

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Musical to Kick off WNCC Performing Arts Fall 2021 Season | New http://www.repertoire-web.com/musical-to-kick-off-wncc-performing-arts-fall-2021-season-new/ Mon, 11 Oct 2021 17:00:00 +0000 http://www.repertoire-web.com/musical-to-kick-off-wncc-performing-arts-fall-2021-season-new/

SCOTTSBLUFF – The 2021 fall performing arts season at Western Nebraska Community College kicks off with The 25th Annual Putnam County Spelling Bee fall musical on October 22.

Theater and music programs are featured in the 25th Annual Putnam County Spelling Bee. The musical will air from October 22 to 23 at 7:30 a.m. a.m. and October 24 at 2 p.m. Tickets for the musical are available by calling the Kelley Bean box office at 308-635-6193.

Violette Kjeldgaard, a theater instructor at WNCC, said she was thrilled to bring the show to life in front of a live audience.

“I love working with the students and I see the effort and creativity they bring to the process,” she said. “I can’t wait for them to be able to share these quirky and sensitive characters with an audience.”

WNCC’s Cougar Rock, Fire in the Pan Swingers, Western Nebraska Winds and more will all perform at the 2021 Fall Ball on October 29 at the Gering Civic Center. Tickets, which include dinner and the show, cost $ 32 and will be available for purchase on October 1.

On November 5, the Vocal Music Department will host the Vocal Music Showcase at the Judy Chaloupka Theater. To complement the fall semester performances, all of WNCC’s performing arts programs will be on display at Very Valley’s annual Christmas, December 11-12.

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